Dallas Solo Fest
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        • A DIFFERENT WOMAN by Veronica Russell
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        • '33: A KABARETT by Bremner Duthie
        • AN AMERICAN ASSHOLE IN FRANCE by Jeff Swearingen
        • AND THEN I WOKE UP by Kris Noteboom
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        • MO[U]RNIN'. AFTER. by Brigham Mosley
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        • BAD DATES by Eileen Tull
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        • LIBERTÉ, EGALITÉ, ADOPTEE by Maggie Gallant
        • SCARLETT O'HARA AND THE WAR ON TARA by Brigham Mosley
        • SUPER MORTAL by Erin Singleton
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        • THE BISCUITEATER by Jim Loucks
        • DRUNK LION by Chris Davis
        • CODY CARK: A DIFFERENT WAY OF THINKING
        • MEATBALL SEANCE by John Michael
        • OH, JESUS! OR... by John S. Davies
        • PERVIRGIN by Nkechi Chibueze
  • SHOWS
    • BASED ON ACTUAL EVENTS by Jaye Lee Vocque
    • CRITICAL, DARLING! by Brigham Mosley
    • CYRANO A-GO-GO by Brad McEntire
    • GIRL DAD by Justin Lemieux
    • KEEPING UP WITH THE JORGENSONS by Jeremy Julian Greco
    • MARVELOUS MECHANICAL MUSICAL MAIDEN by Carmel Clavin
    • SEXOLOGY: THE MUSICAL! by Melanie Moseley
    • WHO YOU CALLING A BITCH?1? by Sacha Elie
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Critical, Darling!
Created and performed by Brigham Mosley
Picture
Brigham Mosley [credit - Brigham Mosley]
Buy Tickets Here!

Playing...
Saturday, June 8 @8 :30 pm
Sunday, June 9 @ 5:30 pm
Saturday, June 15 @ 8:30 pm

It's critical, darling, to be critical, darling!

Millennial messiah, Brigham Mosley, is regressing.  The world is a Sisyphus-ian nightmare and this drag queen just wants to braid your hair.  Can refuge from the present only be found in the past?

A blistering critique of all that's critical; a dismantling of identity, politics and identity politics. Plus, original songs that, let's be real here, will probably win all the Grammys.

Content Warnings
Age Suitability: Mature
Coarse Language: occasional, explicit
​Content: some sexual content



Brigham Mosley (PERFORMER)
Brigham Mosley returns to the Dallas Solo Fest after his shows Mo(u)rnin’. After. (in DSF 2015) and Scarlett O’Hara and the War on Tara (in DSF 2016). He is a writer/performer/sometime drag queen.  His work has been described as "if the Rude Mechs had a love child with Taylor Mac (or Daniel Alexander Jones), and then named Young Jean Lee the godmother." which he is V into.

Locally, he's researching and developing a piece on journalism for the Dallas Morning News (commissioned by Ignite Arts Dallas), as well as continuing his drag-musical series, Movies That Should Be Musicals.

Brigham was a 2013 Performing Beyond Limits resident at NYC's The New Museum, as well as a member of the 2015 Dallas Theater Center Playwrights Workshop.  He is a founding member of Dallas's The Tribe (winner of the 2016 Dallas Observer Mastermind Award) and was named a 2016 Queer Local of the Year by The Dallas Voice.
​
His work has been produced by PS122, La MaMa, Dixon Place, The New Museum, and many others.  He won the 2010 Kennedy Center regional award for Best One-Act and was a semi-finalist for the Eugene O'Neill Theater Center's National Playwrights Conference in 2016 and 2017.

ARTIST/SHOW WEBSITE AND LINKS
http://www.brighammosley.com/
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