Dallas Solo Fest
  • HOME
  • ABOUT
    • READ SOME PRESS
    • ARCHIVES >
      • DSF 2014 >
        • A DIFFERENT WOMAN by Veronica Russell
        • BEAST OF FESTIVE SKIN by Alexandra Tatarsky
        • BOUNCING UGLY by Danny O'Connor
        • BUTT KAPINSKI by Deanna Fleysher
        • CROSSING YOUR I'S by John Michael
        • EATING MY GARBAGE by David Mogolov
        • INNOCENT WHEN YOU DREAM by Zeb L. West
        • SWEATER CURSE: A YARN ABOUT LOVE by Elaine Liner
        • WORKSHOPS 2014
      • DSF 2015 >
        • '33: A KABARETT by Bremner Duthie
        • AN AMERICAN ASSHOLE IN FRANCE by Jeff Swearingen
        • AND THEN I WOKE UP by Kris Noteboom
        • LORD OF THE FILES by Lesley Tsina
        • MO[U]RNIN'. AFTER. by Brigham Mosley
        • STANDING EIGHT COUNT by Van Quattro
        • THE SERIOUSLY NEUROTIC DREAM OF MARY SHELLEY by Carla Cackowski
        • TIPPED & TIPSY by Jill Vice
        • WORKSHOPS 2015
      • DSF 2016 >
        • BAD DATES by Eileen Tull
        • BEERS ABOUT SONGS by Ryan Adam Wells
        • CLENCHED by David Mogolov
        • LIBERTÉ, EGALITÉ, ADOPTEE by Maggie Gallant
        • SCARLETT O'HARA AND THE WAR ON TARA by Brigham Mosley
        • SUPER MORTAL by Erin Singleton
        • THE ESCAPE PLAN by Vincent Mraz
        • WHITE SAUCE AND DIAPER BABIES by Diana Shortes
        • Workshops 2016
      • DSF 2018 >
        • THE BISCUITEATER by Jim Loucks
        • DRUNK LION by Chris Davis
        • CODY CARK: A DIFFERENT WAY OF THINKING
        • MEATBALL SEANCE by John Michael
        • OH, JESUS! OR... by John S. Davies
        • PERVIRGIN by Nkechi Chibueze
  • SHOWS
    • BASED ON ACTUAL EVENTS by Jaye Lee Vocque
    • CRITICAL, DARLING! by Brigham Mosley
    • CYRANO A-GO-GO by Brad McEntire
    • GIRL DAD by Justin Lemieux
    • KEEPING UP WITH THE JORGENSONS by Jeremy Julian Greco
    • MARVELOUS MECHANICAL MUSICAL MAIDEN by Carmel Clavin
    • SEXOLOGY: THE MUSICAL! by Melanie Moseley
    • WHO YOU CALLING A BITCH?1? by Sacha Elie
  • VENUE
  • SCHEDULE
  • CONTACT
    • WANNA HELP?
  • TICKETS
  • SOLO SALON
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Festival Passes and Individual tickets to all 2019 events are no longer on sale! 

INDIVIDUAL TICKETS are $15 per show. 
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There are several ways to get tickets to shows at the Dallas Solo Fest

ONLINE ADVANCED TICKETS
To secure tickets and reservations in advance follow the links below (NOTE: There is a small eTicket Fee for reservations made online):  

To purchase tickets to Based on Actual Events by Jaye Lee Vocque  click... HERE
To purchase tickets to Critical, Darling! by Brigham Mosley click... HERE
To purchase tickets to Cyrano A-Go-Go by Brad McEntire click... HERE
To purchase tickets to Girl Dad by Justin Lemieux click... HERE
To purchase tickets to Keeping Up With the Jorgensons by Jeremy Julian Greco click... HERE
To purchase tickets to Sexology: The Musical! by Mel Moseley click... HERE
To purchase tickets to The Marvelous Mechanical Musical Maiden by Carmel Clavin click... HERE
To purchase tickets to Who You Calling a Bitch?! by Sacha Elie click... HERE


WILL CALL / WALK  UP
Prefer to pay at the door? While we recommend making reservations in advance, you can always just stop in. General seating for all unclaimed reservations will be released a few minutes prior to curtain.
To make a reservation and do Will Call at the box office (i.e. NOT purchasing the ticket in advance) can be done via email at [audacitytheatrelab@yahoo.com] or by calling: (214) 888-6650

FESTIVAL PASSES
Wanna see everything? Festival Passes include one admission to each Festival event (not including workshops).  Individual ticket prices for each event are $15. A FESTIVAL PASS, good for admission to all shows is available for a one time cost of $65 and is applicable to the purchaser of the pass only. To reserve a FESTIVAL PASS contact us via email at [audacitytheatrelab@yahoo.com] or by calling: (214) 888-6650. The Pass will be held at the box office and can be paid for when you arrive for the first show you plan to see.

To purchase a FESTIVAL PASS online, go... HERE *

All tickets available at the door. Box office opens half and hour before each performance. Cash and credit accepted. 

The schedule of shows can be viewed... HERE.  An individual ticket is needed for admission to each show.

More information on particular shows, including specific performance dates and times, click... HERE.

* NOTE: There is a service charge courtesy the online ticket vendor for online ticket sales. Be aware of this. If you wanna pay at the door, just email in a reservation, then pay at the door.
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